Jaz has been a little lost at sea this past week continuing in our battle for worldwide media domination. It's a rollercoaster ride that's recently taken us to The Scottish Daily Mail of all places where everything is weighed according to the extent of damages to the truest symbol of morality - the British taxpayer. But finally we are getting the ball rolling once more. Don't kick a dog when it's down... it'll only rise to bite you in the arse. Or something like that.
"Chris generally hates music. He's pretty bored of it. I think he only likes the music he wants to create so he doesn't want to listen to other bands." - Russell Leetch, Editors
So Editors - the band who make Les Miserables look like a comedy - have yet to find the cure to their moroseness, then? Shame. We met with the Brummy foursome last week during their latest Academy tour. Their third album In This Light And On This Evening saw the group discover synths and bagged them another Number 1 record. Jaz is still incapable of listening to it with a straight face but the less said of that the better. We'll let the NME review do the talking there: http://www.nme.com/reviews/editors/10884
For the full interview head over to Q: http://news.qthemusic.com/2010/03/editors_interview_in_this_ligh.html
Jaz's photos are to be published by Editors (or their website designers) in the near future so for copyright reasons we will not direct you to them now. Suffice to say their appearance hasn't suffered as drastic a makeover as their music. Jaz also cannot post anything from In This Light And On This Evening (and not for copyright reasons). Here is Bullets - the highlight from their debut album:
Jaz x
Showing posts with label NME. Show all posts
Showing posts with label NME. Show all posts
Friday, 19 March 2010
Sunday, 7 February 2010
New To Q Sessions: A 5 Day Marathon

This was supposed to be recorded in real time. Unfortunately Jaz had to live in a bedsit with no internet access during the following events. Better late than never...
Five nights out on the trot, 14 artists, one venue: this is my quest. Mount Kilimanjaro isn’t in sight, Comic Relief haven’t been on the blower mistaking me for Gary Barlow’s cousin and I’m not yet experiencing the dizzy heights à la Cheryl Cole.
No, I work under the auspices of no associated charity (aside from my own not-so-recession-proof ETTA: Employ The Tea-girl Already). I’m 23 and having a premature life crisis – staying in on Saturday nights with cocoa, mourning the completion of The X Factor and averaging a bedtime of 10.30. Reviving my inner jumping bean, however, isn’t the only motivation for my self-set New To Q Sessions-orientated challenge. I have an affliction worthy of many a philanthropist’s shrapnel. Whatever “It” is, I need to be on it. Treggings, Glee, the latest yoga/pilates hybrid – I must ride the wave of now. As I take up residence for the first night at Notting Hill’s Tabernacle where I shall worship at the altar of the latest signing I stop myself before sneering at the sea of Lyle Scotts with their side-gelled coifs. I am you (gender aside), and, I wonder, is your short-term memory as crippled as mine? So there’s been the years of pre-exam crash revision, the relocations to three cities with complex transport systems, the constant conveyor belt of new faces/names met along the way and the brain cells bludgeoned familiarising myself with scores of office floors while slaving away at various internships… all pale in comparison to the damage caused by my bout of fingeronpulse-itus. In these www times filled by a constant release of “Next Big Thing”s who become passé the instant they’re announced as such, the briefest of cultural heart palpitations are undetectable and neurological breakdown is induced by the dreaded inquisition, “What’s on your iPod’s shuffle this week?”. Seriously: Marina & The Machine, Friendly Boots, The Big Black Kids, Broken Drums, Pixie Geldott… please make it stop! What does it even mean to be ‘new’ in music? Who qualifies for an NME cover? Next time I host a vintage throwback party, I’ll be toasting Daisy Lowe, remembering heady days of yore with all the classics from MGM.I.A. and those New York veterans Vampire Weekend, while screening Slumdog Millionaire and downing shots of wheatgrass. Florence, your dog’s had its day; time to get on your broomstick and fly away. La Roux, throw out your lemons, you can crack a smile now while nobody’s looking. I propose an indie social suicide pact. Until then, I shall squeeze the latest roster of up-and-comers into my shrinking skull.
Jaz x
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