Last month Jaz hooked up with LA band Local Natives for some hummus and banter. Bearing in mind the guys had been on the road for about 4 months in total it was at times quite an odd conversation but entertaining nonetheless. Due to the extremely packed out nature of King Tut's that night, Jaz failed to get many photos from the front. The decision to pack up the Canon was made in prompt response to the first of many dousings of beer. Jaz is sceptical about the nutritional purposes of ale for hair nourishment but is resoundingly opposed to its effects on expensive electrical appliances.
"We played five cool barns in Iowa. That one was huge, octagonal and 120 years old. It was incredible." - Local Natives' Taylor Rice
For the full interview head over to Q's website: http://news.qthemusic.com/2010/04/interview_local_natives_monkey.html
Local Natives' album Gorilla Manor is out now and has seen them compared to Fleet Foxes and Vampire Weekend. Check out their harmonious single Airplanes as performed at Maida Vale for Radio 1...
Jaz x
P.S. Jaz has also been busy chattering away to Paloma Faith and Ellie Goulding. Coming to a screen near you very soon :)
Showing posts with label King Tut's Wah Wah Hut. Show all posts
Showing posts with label King Tut's Wah Wah Hut. Show all posts
Monday, 12 April 2010
Tuesday, 16 February 2010
14th February: A Fine Day For Spooning
"Our career's about small milestones. Little bursts of elation as opposed to, We've finally made it! I'm still thinking about my mortgage..." - Jim Eno, Spoon
As I escape the central Valentines afternoon bustle of Glasgow and hike up St Vincent Street to enter the legendary King Tut's Wah Wah Hut it dawns on me that I haven't been to this basement joint since my first ever live review of an unsigned act two years ago. A haunt that's currently celebrating its 20th year, it is renowned as a much adored launchpad for new acts in the industry, most famously housing Oasis the night they were discovered and signed. I climb the steps inscribed with all the names of now successful artists who once began here, and wonder why, seven albums in, the band Spoon (whom I'm meeting to interview) are dragging their equipment amid the chemical stench of the bar's industrial cleaner like some sort of pre-mania Beatles in a Hamburg nightclub.
Forget maximising profits, pushing "product" and building an electric fence between the fans and the act, Spoon work for pure satisfaction and they adore these venues. They want to see the faces in the crowd who are just as much a part of their show as the musicians themselves. No surprise then that as Britt Daniel adorns his guitar his first utterances to the audience are: "Is this barrier always here? It's ridiculous!"
What follows is a mature accomplished performance to reflect the 15 years he and Eno have been on the road together. Their consistency and simple sophistication as an in-tune cohort of instrumentalists, whether performing coveted favourites such as The Way We Get By or the new album's lead single Written In Reverse, is the direct result of a dogged approach to the art of rock'n'roll. They appreciate the wider commercial use of their material but they've seen the ugly side of a major label. Ultimately it really is the music that matters. Tonight in a venue where others dreamed of global domination, Spoon are just looking for that elusive moment to play for each and every one of you. Forget your individually cut roses and your Hallmark sentiments, that's real love on Valentines Day.
Read the full interview at: http://news.qthemusic.com/2010/02/interview_a_fine_day_for_spoon.html
Jaz x
P.S. Remember to tune into the 30th Anniversary of the BRIT Awards tonight...
As I escape the central Valentines afternoon bustle of Glasgow and hike up St Vincent Street to enter the legendary King Tut's Wah Wah Hut it dawns on me that I haven't been to this basement joint since my first ever live review of an unsigned act two years ago. A haunt that's currently celebrating its 20th year, it is renowned as a much adored launchpad for new acts in the industry, most famously housing Oasis the night they were discovered and signed. I climb the steps inscribed with all the names of now successful artists who once began here, and wonder why, seven albums in, the band Spoon (whom I'm meeting to interview) are dragging their equipment amid the chemical stench of the bar's industrial cleaner like some sort of pre-mania Beatles in a Hamburg nightclub.Forget maximising profits, pushing "product" and building an electric fence between the fans and the act, Spoon work for pure satisfaction and they adore these venues. They want to see the faces in the crowd who are just as much a part of their show as the musicians themselves. No surprise then that as Britt Daniel adorns his guitar his first utterances to the audience are: "Is this barrier always here? It's ridiculous!"
What follows is a mature accomplished performance to reflect the 15 years he and Eno have been on the road together. Their consistency and simple sophistication as an in-tune cohort of instrumentalists, whether performing coveted favourites such as The Way We Get By or the new album's lead single Written In Reverse, is the direct result of a dogged approach to the art of rock'n'roll. They appreciate the wider commercial use of their material but they've seen the ugly side of a major label. Ultimately it really is the music that matters. Tonight in a venue where others dreamed of global domination, Spoon are just looking for that elusive moment to play for each and every one of you. Forget your individually cut roses and your Hallmark sentiments, that's real love on Valentines Day.
Read the full interview at: http://news.qthemusic.com/2010/02/interview_a_fine_day_for_spoon.html
Jaz x
P.S. Remember to tune into the 30th Anniversary of the BRIT Awards tonight...
Labels:
King Tut's Wah Wah Hut,
Oasis,
Spoon,
The Beatles
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